Fall 2010 Courses and Workshops DRAWING FUNDAMENTALS: The Foundation Course of The Drawing Studio This course is an introduction to drawing from observation, the core foundation of The Drawing Studio. The Drawing Fundamentals course serves two purposes: a) to provide the skills with which to see one's world newly, and b) to open the pathway to the wide range of traditional and modern art media available to be learned and mastered. Drawing Fundamentals is designed especially for the beginner with no prior experience, as well as those with some background who are looking to review the principles and current practices as taught at TDS. Many people repeat Drawing Fundamentals from time to time, as a way to deepen their understanding of drawing principles toward a more effective drawing practice. Drawing Fundamentals is presented as sixteen sessions, divided into two levels of eight-weeks each (DF 1 and DF 2). (Previously called “Parts,” we have renamed them “Levels” to better reflect our recommendation that they be taken in sequence.) Multiple sections of Level 1 and Level 2 are offered continuously throughout the year at our downtown studio as well as various satellite sites. Because both levels follow a standard sequence, a missed session can be made up by attending that same session in another section. Andrew Rush, who developed the original syllabus, is continuously updating and improving the program with the ongoing feedback of both its master teaching artists and students. Rush compares Level 1 (The Grammar of Drawing) to learning the skills of a musical instrument, while Level 2 (The Materials and Practices of Drawing) is akin to learning how to actually make music with it. Drawing Fundamentals, Level 1: The Grammar of Drawing An introduction to the basic languages of drawing and how drawings are used to communicate what and how we observe. A student learns how to distinguish and accurately represent a subject by developing skills in four key areas: shape, edge, light, and space. While many first time students have doubts about their ability to draw, the promise of this course is that you will realize not only that you can draw, but discover the core of what it is to draw, which is how to observe. Fee: $175 (Associates $160) Students who have paid full the full tuition and completed level 1 may repeat level 1 at half price. Note: Section letters simply indicate different locations or times for a particular course. Sections are listed by start date. Sections of Drawing Fundamentals Level 1 and Level 2 offered at our satellite sites are also listed separately at the end of this schedule. DF1.A (main studio) Sept. 14 – Oct. 8 DF1.B (main studio) DF1.C (main studio) DF1.D (main studio) DF1.E (Casas Adobes Congregational—northwest Tucson) DF1.F (main studio) DF1.G (new location: Amado, AZ) DF1.H (main studio) Drawing Fundamentals, Level 2: The Materials and Practices of Drawing The last four sessions of Level 2 expand one's experience in a range of tools for drawing, and the relationship of drawing to the wider applications of art. Sessions include: 1) the role of color in drawing; 2) 3D thinking (drawing as sculpture); 3) graphic media as drawing tools (collage, monoprinting, stenciling); and 4) the brush as the tool linking drawing and painting. Fee: $190 (Associates $170) Students who have paid the full tuition and completed level 2 may repeat level 2 at half price. Note: Section letters simply indicate different locations or times for a particular course. Sections are listed by start date. Sections of Drawing Fundamentals Level 1 and Level 2 offered at our satellite sites are also listed separately at the end of this schedule. DF2.A (main studio) DF2.B (main studio Sept. 23 – Nov. 11 DF2.C (Casas Adobes Congregational—northwest Tucson) DF2.D (main studio) DF2.E (main studio) DF2.F (main studio) Fundamentals, level 3
From Drawing to Painting This course is a guided transition from the art of drawing to the application of its principles in the art of painting. Each stage builds upon the previous. We will use the same vocabulary and topics of DF 2 and expand their meaning and awareness as we investigate a new and exciting medium. Students can sign in by stages. Open to those desiring to pursue acrylics or oils. Stage 1 (Sept. 7-21) Stage 2 (Sept. 28-Oct. 5) Stage 3 (Oct. 12 – 19) Stage 4 (Oct. 26) Fee: $190 (Associates, $170); Stage 1, $105 ($95); Stage 2 or 3, $75 ($65); Stage 4, $45 ($40) Basic Line Drawing with Glass Workshop Learn the basics of “drawing” in glass. You will first learn the fundamentals of fusing sheet glass, including basic glass cutting, firing temperatures, and composition techniques. Then use your basic cutting skills to create a flat 5”x5” tile. The second week you will make a mixture with glass powders to create an ink that you can use to create line drawings, portraits, landscapes, and anything else you can imagine. You will make a 6”x6” flat line drawing piece. In your final class, combine your skills into a piece that we will slump into a final form of your choice. Bring your visual ideas and sketchbook. No experience required. This class is suitable for ages 9 and up. Note: SGAA and TDS will collaborate on an exhibit of drawing in glass in April 2011. Fee: $150 (Associates $140), either section; includes 2 flat projects and 1 slumped project; other materials available at cost.
Introduction to the Oil Painting Palette and Mixing Itching to try your hand at oil painting, but not sure where to begin? This workshop will show students how to arrange a palette with specific, limited colors, mix secondary and tertiary colors, use a simple medium, create a simple design and composition with paint and brush, and use the mixed palette to paint a simple still life. Fee: $75 (Associates $65) Figure Drawing As an outgrowth of their work in Paul’s portraiture classes, many students have requested a figure drawing class. This class uses the anatomy and physiology of the human form to reveal the human being within, which is the most important task of the artist. Basic drawing exercises will deal with the special complexities of the figure as an eloquent expression of human life. This class is ongoing and may be repeated. Fee: Section A: $230 (Associates $210); Section B: $150 (Associates $135); Sections A&B:$315 (Associates, $285), includes model fees Drawing Portraits Portraiture combines two special skills: the ability to work from observation, and the patience to allow the relationship between drawer and sitter to evolve. Using step-by-step exercises, those new to drawing portraits will develop an understanding of facial anatomy and light and shade, as well as learn a variety of technical approaches. Continuing students will explore the conventions of portraiture and engage in studies involving longer poses. This course offers ongoing personalized instruction for beginners and continuing students and may be repeated as often as desired. Fee: Section A: $230 (Associates $210); Section B: $150 (Associates $135); Section A&B:$315 (Associates, $285), includes model fees Introduction to Color Drawing A short introduction to the practice of using color in drawing. Designed for those newly trained in Drawing Fundamentals who are ready to explore a more developed drawing practice using color. A combination of technical and observational lessons using color pencils and chalk pastels will allow the student to understand the first building blocks in working with color, which is often an exciting yet frustrating experience. A perfect follow up course to Drawing Fundamentals I and 2. A good preparation for Drawing With Color I. Fee: $85 (Associates, $75); includes most materials.
Drawing With Color I A solid grounding in the fundamentals of how to draw with color, and is especially helpful for students who have recently completed Drawing Fundamentals 1 or 2. It will also be helpful for those who have never been formally trained in how to dynamically use fundamental color theory. Through technical and observational exercises, participants will practice identifying and creating color harmonies, and using color compositionally and within the structure of creating form in space. Color layering, blending, and general instruction on color pencil and pastel drawing is covered. This course may be repeated. Fee: either part, $130 (Associates $115); both parts, $190 (Associates, $170) The Golden Section Ever wonder what the Golden Section is? Add this elegant and useful design tool to your bag of artistic tricks. The Golden Section is a system of proportions that is easily derived geometrically (no number crunching!), and highly adaptable to any medium. We'll discover the Golden Section in famous paintings, classic architecture and graphic design - in fact, it's all around us and has been throughout human history. If you can draw a square, you too can understand and use this inherently beautiful phenomenon of the ages. Fee: $75 (Associates $65) Introduction to Oil Painting October 25 – Dec. 13 Course is designed to expand the foundational skills acquired in drawing fundamentals to the oil painting medium. Students will study color mixing, selection of colors for the palette, canvas preparation, mediums, direct/alla prima painting methods, and indirect painting/traditional techniques. Students will become familiar with a glossary of painting terms, and compose and paint a simple still life and portrait. Fee: $190 (Associates $170) Charcoal: Earth’s Drawing Tool Many students of drawing fundamentals discover charcoal as a drawing medium for the first time. Discomfort with the challenges of a new medium often turns to fascination with the expressive power and energy of charcoal. This class will explore various types of charcoal, ways of working, and grounds. Fee: $105 (Associates $95) Intermediate and Advanced Studies Portrait and Figure Anatomy: This workshop is geared to those engaged in portraiture or figure work who want to bring a new understanding and rigor to their work by grasping the underlying structure of the human body. Work from direct observation of the anatomical structures of the head and body, including distinctions between skeletal and muscular systems, male and female, and youthful and aging bodies. Fee: $150 (Associates $135), includes model fees Street Portraits in Color From street corner, courtroom and zoo come my quick-draw tips to catch life on the fly, in living color. Working with colored pencil, pastel, and watercolor, we’ll aim for quick likeness, with attitude, motion and life, and flair over finish. Watch my demos, and take turns at 20 minute poses. At final session, we may hit the street! A fun portrait intro for beginners, helpful for pros who wish to loosen up. Fee: $115 (Associates $105) Creative Spirit, the heart and soul of art making Ok, you have some of the skills of drawing and have studied different media. Now you want to connect more deeply to both inner and outer worlds and express in your art your unique vision, how you see the world. We will dive into the heart and soul of art making--past fears, self-criticism and excuses into your essence as an artist. Fee: $165 (Associates $150) Illusions in Fabric Create an abstract fantasy landscape from cotton fabric. We will talk about composition, layering of planes in space and creating the illusion of 3-D by drawing onto the finished composition using oil pastels. Color value and intensity will play into your creative process as well as the use of color temperature to support the illusion of depth. Section A attendance is NOT a requirement for Section B participation. Fee: $130 (Associates $115) Abstract Impressionist Painting This is an opportunity to loosen up your approach and explore expressive painting. Cultivate a sense of play to inspire you and experience a freshness that takes you down unexplored avenues of aliveness. Foundational design elements are observed and new challenges presented to open up your sense of freedom. Supportive critiques at the end of each class are always an educational eye opener. Fee: $165 (Associates, $150)
Abstract Painting Studio Section B Designed for all skill levels, and students work at their own pace. We will explore design elements, color theory, experimenting with materials and techniques. Most importantly, we will be tuning in to the authentic artist within, learning to see abstractly. Have fun with the creative process and be open to the unexpected. Students will work in acrylic on large scale surfaces such as full sheets of watercolor paper, or canvas 36x36 or larger. Course can be repeated. Fee: $190 (Associates , $170) Tuesday Relief Printmaking Group: the Woodcut Wood is the original relief material, used for hundreds of years. Each piece of wood is different and unique. Using the grain and figure in a block of wood can open new possibilities. Learning to conceive, carve, and print an image on wood is to some artists close to a religion. Nothing matches it for satisfying and direct art-making, and for learning how to communicate graphically using a “primitive” medium that can be so powerful in the experienced hands. The course will follow two tracks, one for beginners and the other for more experienced hands. Projects include: choosing suitable themes, block and image preparation, use and care of carving tools, registration and printing, inks and color options, edition protocols, and related topics. We encourage students to enroll in both sections (a total of 12 weeks) if possible, for maximum immersion and value. Limited to 10 students. Fee: $160 (Associates $145), each session; $260 (Associates $230) both sessions; includes most materials, blocks and paper available at cost. Professional Practices Peer Group This workbook driven format helps artists produce more work, creates a safe place to show work in progress, and get positive feedback. This is an experimental peer work group for past class participants, and, if successful, will be expanded to new students in winter. Fee: $40
Envisioning our Built Environment Fee: $130 ($115) Colored Pencil: Fast, Loose, and Easy Known for detailed realism, colored pencils can also make impressionistic or expressive effects. Easy to carry and clean to use, they’re ideal for a quick sketch, or a study for painting. Learn to see shapes of color in a still life, to compose the connections between objects, draw the warm and cool of light and shadow, edge and fade the negative space, notice how each color affects those around it. People of all skill levels can benefit. Take a painterly approach to making drawings lively and loose, yet solidly structured, growing naturally out of your own vision. Fee: $165 (Associates $150)
Thursday Intaglio Group--Open Lab For artists with some intaglio experience who would like to set aside a day to work independently, but with critique and technical support from Andrew Rush. Those wanting to begin intaglio studies might consider enrolling in “Nontoxic Methods in Intaglio Printmaking” offered in November-December. Fee: $160 (Associates $145) Drawing and Fiber Arts Perfect for those looking to move from representational drawing to abstraction. We will use natural materials carefully gathered from the desert floor and incorporate them into drawings to create imaginative, thoughtful compositions. Class will strengthen compositional skills as we create drawings that focus on line quality, value, texture, and shape. We will build understanding of abstraction as a tool for stretching the imagination and taking risks. Students will experiment with torn, sewed, or woven paper. We will take a look at the techniques and aesthetics of contemporary fiber artists across the globe who combine drawing and natural materials in their work. We will also explore building our sense of place through art practice, and how the act of drawing potentially creates a deeper sense of connection to the world in which we live. Fee: $130 ($115)
Words and Images: The Artist Book By considering words and images together, this course embarks upon a unique learning strategy to develop a deeper 'cooperation' between the two domains of our intelligence, linear and spatial. Each person will create their own personal artist book, using both words and images drawn from a personal interest or experience. The result might be a single one-of-a-kind work, or designed into a format ready for publication. We will learn two important skills: a) how to weld words and images together into a single art work; b) how to begin from a loosely conceived idea or vision and shape it into an eloquent and clear work of art. Some interest in computer graphics helpful, but not necessary. Fee: $190 (Associates $170) Abstract Painting and Mixed Medium Techniques Students will learn how to begin a new fresh body of work using their own artistic voice. We will use cradle boards, acrylic mediums, and canvas. We will learn how to apply different mediums to create new painting surfaces, and explore the distinctions between transparent and opaque, mineral and modern paints. Expect warm-up paint sketching, painting, and constructive critiques. Fee: $190 (Associates $170)
Figure Sculpture This class is perfect for those interested in sculpture as well as those painters and draw-ers who seek to understand at a deeper level the physicality of the human form. Working in the round helps one to understand mass and volume in a very real, 3-D way. It is a natural progression in art to go from drawing and painting into sculpture. Emphasis is on close attention to anatomy, composition, and bringing the figure to life. Students may focus on the head, figure (quarter life size) or relief. One model for the entire class. Fee: $195 (Associates $180),includes model fee Wire Sculpture Wire sculpture gives students the opportunity to “draw in space” and create something like a three-dimensional drawing. As such, this class will extend drawing fundamentals skills. Using thin gauges of wire, students will create vessels made of wire that emphasize unique shape and form. Students will learn how to spin, turn, twist and weave wire to build three-dimensional objects that also express feeling. The importance of gesture will be emphasized: what does it mean to infuse movement and energy into form? We will look at wire sculptors from different parts of the world to build awareness for this art form. Fee: $130 (Associates $115) Plein Air Painting in Watercolor Fee: $190 (Associates $170) Encaustic Monoprinting Learn how to create a print on paper of an image made with melted wax on a heated plate. This workshop is geared towards anyone familiar with traditional monoprinting, encaustic painting or anyone curious about either process. Participants will learn different techniques for producing and mounting images. Fee: $190 (Associates $170), includes most materials
Plant Portraits Learn to see the unique qualities and characteristics of The Natural World. Create dynamic drawings and studies of individual subjects with attention to gravity, growth and pattern. Jazz up studio work with new information or simply enjoy communing with nature on a deeper level. Any dry media is suitable for this class. Fee: $75 (Associates $65)
An Ax For The Frozen Sea In Us: Advanced Painting Critique Eight powerfully insightful classes will take students on a personal guided tour of their work. Discussed will be a variety of "ways of seeing and speaking" about the work. Students will learn to develop their own exploratory models of criticism based on realistic judgments. Works critiqued will be treated as a threshold, boundary, or a crossing to explore. Students will confront the subject matter, process, technique, scale, and intention of their work. There will be inquiries into exhibiting, selling, and what it means to be an artist in the 21st Century. THIS IS NOT A STUDIO CLASS. Students are to bring to the critiques finished, problematic, or works in progress. Limited to 12 students. Fee: $190 (Associates $170) Portrait Painting Fundamentals Fee: $195 (Associates $180); includes model fee
Exploring Watercolor For beginning painters and intermediates, this class will explore aspects of design and composition, color, value, edges, and various techniques. Be ready to open your senses and enjoy the unique thrills of watercolor. Fee: $165 (Associates $150)
Exploring Watercolor—and Beyond This class is intended for those artists who have experience in watercolor; who have taken “Exploring Watercolor” or other watercolor classes; and for those who need a little “jump-start” to expand their artistic abilities with the watercolor medium. As always, we will focus on drawing, design, composition, color, value, and edges, but will learn more about using unusual materials in the process. We will explore painting on different papers such as plate Bristol board, Yupo, hot-press, mylar, gesso, and will experiment with many different techniques and effects. Be ready to really stretch--beyond your watercolor knowledge--and see how your creativity can soar! Fee: $165 (Associates $150), some materials will be available at cost at class
Botanical Landscapes Generate integrated landscapes inspired by the natural world. Drawing from observation, identify the defining qualities of individual desert plants and compose inviting landscapes. Learn to simplify, edit, and capture the spirit of nature. Answer the questions: Where do I begin? What is important? When do I stop? Any dry media is suitable for this class. Fee: $75 (Associates $65) Introduction to Encaustic Painting Workshop Explore the possibilities of Encaustic Painting. The workshop will include demonstrations and hands-on work with transparencies and glazing, layering and scraping, line/edge, and collage techniques. Students will also receive basic information on materials and formulas used in encaustic, supports, tools and techniques for fusion. Fee: $115 (Associates $105), or combine with encaustic wkshp below for $190 ($170)
Encaustic Painting Workshop Workshop will focus on the use of color, which colors are transparent, and how to layer color for the most luminosity, mystery and space. The workshop will include demonstrations focusing on how to create the magical qualities intrinsic to encaustics, pouring, and using drawings as the beginning of an encaustic. Fee: $115 (Associates $105), or combine with intro to encaustic above for $190 ($170)
Colored Pencil: Portrait and Figure Enhance your figure studies with color. Colored pencils are a versatile medium – clean, portable, easy to store, and ideal for a quick sketch or link to painting. Working from a model, express mood and movement in multi-hued gestures. Practice warm/cool rendering of form in light and shadow, marvel at how many tints make up a complexion, or try out bold, arbitrary or expressive shades. To explore composition and context, models will pose in simple clothing, with backdrops and still life objects. People of all skill levels can benefit from my approach to a livelier life drawing. Fee: $195 (Assoc. $180), includes model fee
Thursday Intaglio Group—Nontoxic Methods An introduction to the basic intaglio media of engraving, drypoint, etching, and mixed techniques, with an emphasis on nontoxic alternative technologies. The course covers the steps of developing images as a process, use of tools and chemistry, printing and paper technologies, as well as the real learning advantages of learning in a community studio setting. Beginners and experienced printmakers are welcome. Each person may sample several skills, or focus upon one technique for this session. Limited to 10 students. Fee: $145 (Associates $130) Traditional and Contemporary Ink If you've ever sketched with a pen or had a taste of ink and brush in drawing fundamentals, you've experienced the joys and complexities of this simple medium with a rich, complex past. We will explore a variety of approaches and stretch the limits of this versatile medium. Fee: $75 (Associates $65)
SATELLITE CLASSES
Classes in northwest Tucson DF1.E Fee: $175 (Associates $160) Students who have paid full the full tuition and completed level 1 may repeat level 1 at half price.
DF2.C Fee: $190 (Associates $170) Students who have paid full the full tuition and completed level 2 may repeat level 2 at half price. Playing with Color Now that you are comfortable with the technicalities of color mixing and basic color theory, you can explore assembling a unique palette of pastels incorporating the subjective qualities of color; the emotion that each color represents. When you choose the colors for your palette, you are creating your own color system that has its own possibilities and limitations. Join this class in a discovery of color and how you can use pastels expressively. Fee: $165 (Associates $150) Classes in Oracle RLV OracleArt Wilson Barn Oracle Sunday Artists’ Club Less a class than a gathering of working artists, the summer meeting will include time for sharing art ideas and concepts, warm-up exercises, optional thematic focuses, media experimentation, and extended work hours. Leaving the “grid” of urban life, even for a few hours, can open up one’s art making to new experiences of time and space. Fee: TBA New Location! DF1.G (Buffalo Son Silkscreen, Amado, AZ) Drawing Down on the Farm October is the Harvest Festival at Agua Linda Farm! Each week we will draw a different aspect of this beautiful organic farm using simple and portable art supplies. We will develop the skills of drawing from observation, and creating compositions from the rows of pumpkins, the animals, the barns and buildings to the majestic backdrop of the Santa Rita mountains. This experience will encourage you to take your sketchbook everywhere you go and record your impressions as you first find them. Fee: $130 (Associates $115)
See our website www.thedrawingstudio.org for additional satellite offerings in the fall. Fall 2010 Youth, Teen and Family OfferingsYouth (9 – 13)Drawing From LifeTaught by Tanya Rich Learning how to draw what you see, from life, is an important first step in creating a strong foundation for making art of any kind, and for strengthening general observational skills in life. Students will practice the skills of observation using a variety of materials, from pencil and charcoal, to pastel and watercolor. Subject matter will include everyday objects, desert plants and insects. Students will practice drawing life like images with attention to light, form and space. Both parts may be taken separately or together. Fee: each part, $60; both parts, $110 Teens 12 - 18Build Your Dream Home! Learn how to create realistic architectural modelsTaught by David Kish Maquettes (or scale models) have been used throughout history by artists and builders as a way to test new ideas, and to move quickly from 2D to 3D. In this fun class designed for tweens and teens, we’ll build our visual and tactile skills by making miniature Dream Homes with simple materials, and we’ll “think like architects,” considering scale, proportion, physics, context, function…but most of all, imagination! Fee: $80 Ongoing, for Teens: Fee: $50 for 1 to 1 1/2 hours. Youth and Teens 9-18 yrsDesert Critters Drawing and SculptureTaught by Kate Hodges Two Sundays, 1 – 4 pm Oct. 3 & 10 (introductory drawing sessions) The desert is a remarkable place, filled with amazing insects that play special roles in this delicate ecosystem. Students will create a desert terrarium with live, non-poisonous desert insects, and then delve into drawing these creatures as we look closely at their bodies and elements of their desert homes. We will imagine what it feels like to have a “bug’s eye view” and explore different perspectives and angles within our compositions. Students will then build a wire sculpture piece, choosing a form to render from the terrarium. Both parts may be taken separately or together. Fee: Part I, $40; Part II, $80; both parts, $110 Comic IllustrationTaught by Joe Marshall Comics are a great way to tell a story. Many elements of creating a visual story will be worked on, including theme, timing, characters, and flow of story. Students are given pre-paneled pages as a template to place their stories. A two-to-four page story will be completed. Fee: $80 Artist Books: Create Your Own Coptic Bound SketchbookTaught by Alice Vinson Each student will create a small, personal Coptic (a decorative type of exposed binding stitch) bound sketchbook that they can then use for drawing, poetry, notes, ideas—the possibilities go on. Students will receive advice (in advance) for bringing their own paper for the “text block” of the book (inside) as well as their own decorative paper to use on the cover of the book. All other materials (sewing silk for binding, needles) provided. Fee: $20 Families : parent(s) and children (ages 6-18)Artist Books: Simple Pop-Up BookTaught by Alice Vinson Participants will make a small, very simple, soft cover, pop-up book. Pop-up methods will include box pop-ups and triangle pop-ups, as well as using both of these as supports for images that can be glued onto them. Fee: $20 each person Mixed Media Book WorkshopTaught by Alice Vinson Use found materials from home, such as paperboard boxes, scraps of paper, paper bags, postcards, yarn, etc. to build a book structure suitable for a mixed media project. The pamphlet stitch and accordion method of binding will be demonstrated as ways of assembling the book, as well as a variety of simple, untraditional methods. Students will be advised in advance about what to bring. Fee: $20 each person Open Figure Studio
* “General studies” include short and long poses (2 min. to 1 hr.), usually nude. Open Studio Monitors Rebecca Olson, Carolyn Gibbs, Paul Mohr, Tom Bielejec, Kurt Anderson, Reid Silvern, Pete McCray, Betty Counseller, Steven Judy
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